The new Studio series incorporating, amongst others, Colossus models, reflected the very latest developments in acoustic engineering. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane throughout in the 1960s, '70s, and '80s. Shown above - There were various other versions of Crescendo speakers with different specs, differing 4 and 8 spoke cast metal, Reeves original 75w Vintage Purple speaker made by Eminence, , based on Fane purple backed speakers from the 1970s. Many thanks - that's a great description for what I am after in my head - I am not a Stadium Player, I made comparison clips of a Fane Crescendo, Hi-Tone Crescendo A, RS Starfinder, and several other speakers on this page, with notes on the differences -, Ive got 4 original Cresendo A 100w, and 2x Rawson Sparfield DG12A, on a recommendation from someone here on the forum. WEM SPEAKER CABINETS - David Gilmour has used a wide variety of small combo amps (amplifier + speakers in one cabinet) in the recording studio, but his early studio rigs and live rigs usually consisted of amplifier heads powering separate 4x12" speaker cabinets. In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. I also think the low frequencies sound less flabby with closed backs, especially from a Big Muff. The flux density and flux capacitor plus going 60 miles per hour makes time travel possible. . Butler Tube Driver. If you just want one speaker that blends both the bright mid range Crescendo tone and the darker, mid-scooped Celestion tone through a Hiwatt, try the Weber British Series ceramic FC12F speakers. Last update February 2022, - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. In 2010 Hiwatt UK briefly sold an unlicensed, China made, WEM branded Starfinder 4x12 cabinet made of particle board with printed cloth. Arthur Barnes (Centre) with David Biggs and Dennis Newbold. Note the aluminum dust caps visible through the grille cloth, indicating these are Crescendo 12 'A' type speakers. Fanes are Very expensive to manufacture as the Frames also have Titanium in them for strength and lightness. They work very well with the Hiwatt frequency range however. I wonder if people will like the non-aged Crescendo the same? Fane label that was also used on some speakers with the exact same specs as the Crescendo 12 A. These had large ceramic (anisotrophic ferrite) magnets, 20,000 gauss flux density, 2" voice coils with fiberglass formers, and 3" diameter aluminum dust caps with a round, felt diffuser mounted in the center. The Crescendos have a distinct bright tone that accents the upper mid range. It is a tribute to FANE design expertise that other loudspeaker manufacturers, recognising the superiority of the glass fibre coil, replicated the use of this material for their own construction and making it an industry standard. Iconic artists such as Pink Floyd, The Who, The Rolling Stones and many more used equipment loaded with FANE speaker components, making FANE an integral part of the British music scene revered throughout the world. Rawson Sparfield sells a 100w Fane Crescendo 12A replica that is a very accurate recreation of the original, using a similar cast metal frame, the same magnet and voice coil specifications, and aluminum dust cap just like the original. Specification Bass Resonance 70 hz Frequency Response 30hz to 16,000hz 2 inch voice coil 100 watts rms 20,000 gauss Motherfuzzer Your purchases help youth music programs get the gear they need to make music. The original Bassmans had a tube rectifier, but the 59 Bassman reissue was built with a plug-in solid state rectifier. Korea, Republic of Tony yes, you're right about the wording on the label; sounds like something from a space TV programme of the same era! 250.17. Many people replaced these (including Gilmour) with a real 5AR4/CV1377 rectifier tube. Worked? Closed-back cabinets sound more focused and project the sound in one direction. Very Good items may show a few slight marks or scratches but are fully functional and in overall great shape. I have Creams in a few cabs and have a pair of 72 Fane 122231 Purple Back speakers as well as a pair of Hi Tone 231 clones. The massive magnet and ribbed foil tape make them easy to identify. Subwoofers and speakers Fane. Each speaker was mounted in the same isolated 1x12 speaker cab and recorded with a Sure SM57. Eminence The Tonker 12" Guitar Speaker Red Coat 8ohm . Le style de ses solos est souvent caractris par des phrases influences par le blues, et par des notes tenues en portamento.Sa technique de glisss (glissando et slide), est parfaitement matrise.. Principalement guitariste, David Gilmour est galement multi-instrumentiste.Il joue de la basse (notamment sur certaines chansons . It also sounds incredibly good with a Big Muff, although there are no known recordings of David using one with a Bassman. It sounds very similar to the original amps, but speaker types make a big difference with the sound. The Colossus Crescendo 18 were the 4" coil version, which later became the 400b. The Eminence were slightly brighter and slightly dirtier at high volume. The 300w Fane Crescendo 12MB was another HiFi studio/PA speaker. Not so much a brand purchase under new owners, it represented a coming home for the management team after a period interrupted in 1989. That said, I use both at home, but I do not have close neighbors who would complain. Don't miss out on these ! Unfortunately, there was no consumer version of the original 1028P speaker offered by Eminence, but at the time I wrote this, Eminence was still making them exclusively for Fender to sell as replacements on their website, and through the Fender Custom Shop, although somewhat expensive. 4x12" cabs are overkill for home playing and are really only necessary for large venues. Free Shipping. Cluster One - with Fender 59 Bassman LTD - Strat with EMG-SA pickups, 5AM - with 59 Bassman LTD - Les Paul with P90 pickups, Purple Rain solo (Gilmour/Tom Jones version) - Proco RAT through 59 Bassman LTD - Strat with EMG SA pickups, Calling - B.K. In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. The ink stamps on the cones of my speakers are marked 1021/15, but I have seen other Crescendo cones with completely different numbers. The Ascension A30, 30 watt guitar speaker, has been voiced to offer more crunch for classic vintage guitar tones. Fane has a strong heritage and history in sound engineering excellence. I thought they were mainly for PA type applications, though Sound City used them in their amps iirc. We aretrusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the worlds most famous sound system designers, high quality musical instrument amplification brands and fixed installation companies. In some ways the 75 sound is the opposite of the Fane Crescendo, which is why they balance so well with them. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Shown above - 100w Starfinder with aluminum dust cap from Rawson Sparfield, made in the United kingdom. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from his 2015 tour. Most were 50w or 70w Fanes with completely different specs. The PRIME 18XS displayed the hallmarks of FANE ingenuity to deliver an incredible peak-to-peak excursion in excess of 60 mm to ensure fast, accurate bass in the most testing of performance environments and engineered to provide significant advantages over competing European products. They do not have the same range in the highs and have a darker, fatter sound compared to the Fane Crescendo, but work well with a Hiwatt for Gilmour tones. There was a 1980s era Crescendos labeled "12E" with black coated frames and push tags, in both 120w four spoke frames and 180w eight spoke frames. reflections from the aluminum dust caps from the Fane Crescendo 100w speakers. David mixed Crescendos and Celestions for his 2015-2016 tour and according to Phil Taylor, one WEM 4x12 cab was loaded with Crescendos and used with his DR504 Hiwatt, and one was loaded Celestion G12-100 speakers for use with his Alessandro amp. These are the same sound clips from this page. This is a comparison of one of my original Fane Crescendo speakers to the Rawson Sparfield Starfinder and Hi-Tone Crescendo A speakers. In 1994 David had his Hiwatt preamps switchable, so they could be bypassed and allow the Alembic to become the preamp for his whole live Pink Floyd rig. Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958. They can be purchsed in speaker cabinets or individually here. You must log in or register to reply here. Im looking at Ted Weber's 1225 ceramic greenback clone and his Axis 12 100 watt Fane AX12 clone. The Alembic was essentially two of those pre-amps in one rack housing. speaker cab loaded with Celestion speakers from 2001 (left) and 2004 (right). An alternative is the Eminence GA10-SC59 speakers, which are also 20w and with paper voice coil formers like the 1028P. Flux Density 20,000 gauss - what does that mean? Little is known about the speakers in David's combo amplifiers, but Phil Taylor revealed in an interview (Feb 2015 Guitarist Magzine) that David also uses Fane Crescendos in his Hiwatt SA212 combo studio amp. and a Hiwatt Custom 100 through a WEM 4x12 cabinet with Fane Crescendo speakers. I also have 4 x 12 original Pulsonic cone, 1972 G12Hs but 75hz cones, 25 watt. They had brown solder tags to connect the speaker wires, screwed to the spoke with flat head screws. Hi-Tone DR-F speaker with a Green Russian Big Muff - In Any Tongue solo, Hi-Tone DR-F speaker with a BKB 911 Tube Driver - Louder than Words solo, Reeves original 75w Vintage Purple speaker made by Eminence, based on Fane purple backed speakers from the 1970s, Reeves later 75w Vintage Purple speakers made by WGS, also based on Fane Vintage Purple speakers. 2018 underlines our continued commitment to product development and innovation with the launch of FANE Imperium a formidable addition to our professional range of products to stand alongside the Colossus Series, delivering outstanding efficiency to provide a definitive performance advantage and another legendary FANE product for the future. Fane Crescendo speakers for bass guitar cabinets. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. In fact, he has used the same WEM cabinets in his live rigs from 1970-2016. The A90 is the speaker that long-suffering high output compact combos have been waiting for. That said, I use both at home, but I do not have close neighbors who would complain. In 1984, 1986, 1994, 2001- 2006, and 2015-2016 David combined his Fane Crescendo speakers with Celestion speakers to make a more balanced sound in his live rigs. THIS 15" FANE CRESENDO 15B HANDLES A STRONG 400 WATTS AES DELIVERS A CLEAN BASS SOUND IN PORTED CABINETS CAN HANDLE EXTENDED LEVELS OF EXCURSION THANKS TO ITS' SUSPENSION & LONG THROW MOTOR STRONG DIE CAST ALUMINUM BASKET W/ PUSH BUTTON SPRING TERMINALS FOR ALL QUALITY BASS APPLICATIONS David used a silverface Twin Reverb in the Dark Side of the Moon recording sessions, and a Dual Showman Reverb (a Twin Reverb in head form) for the Wish You Were Here Sessions. The stock Marshall cabinets were sold with several different speakers types at different times: G12/75, G12-80, G12M-70, G12-100, G12H-100, G12-65 (1978-1983), G12T-75 (1984 - 1990). Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Gilmour's 59 Bassman reissues and Hiwatt SA212 stereo rig used for the 1993 Pink Floyd recording sessions (left) and later in 1999 and 2004 (right). They are a perfect speaker to blend with the Hiwatt sound, and out of all of David's gear, the Hiwatt/Crescendo combo could be said to define the core foundational tone heard in most Gilmour performances. Ive got 4 original Cresendo A 100w, and 2x Rawson Sparfield DG12A, on a recommendation from someone here on the forum that knows more about vintage tubes, than I could ever remember. For a better experience, please enable JavaScript in your browser before proceeding. EUR 559,00 + EUR 150,00 Versand . Fane Acoustics - Guitar Loudspeakers Guitar loudspeakers, hand crafted in England, that deliver incredible quality and tone. This Bassman/Hiwatt setup was used for most of the 1993 Pink Floyd sessions which resulted in the Division Bell album, where David first started using the B.K. This speaker I have restored from very poor condition. These silver dust caps can be seen through the grille cloth in David's 1994, 2006, and 2015/16 tour speaker cabinets. Almost all of the leading manufacturers of this time would come to load FANE components into their products during this and the following decades. Note the extra "ground" switch on the left, which was actually a dummy switch to mimic the look of the original Bassman. Reeves Amplification also produce some excellent 2x12 and 4x12 speaker cabinets fitted with Vintage Purple 75w speakers made by Eminence. The Twin Reverb II still retained the basic Fender clean tone. Fane was The First speaker manufacturer to have a 12 inch guitar speaker that was 100 watts RMS and 100db. The 1 1/8 " baffle was made in two pieces, consisting of a fixed 3/4" plywood (12 ply) speaker baffle board and a cloth and piping covered 3/8" front baffle board that was screwed to the speaker baffle. The Fane team in the UK production plant in West Yorkshire, England. But I've only been able to run one at a time as I have the amp running on 2 tubes don't want to mismatch impedance. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. WEMs were very distinctive looking and had a grille cloth pattern unlike any other speaker cabinet maker. Around 1972 a master volume was added, but they were still basically the same design. The Showman was sold with a matching speaker cabinet fitted with JBL D-130F 15" speakers with silver dust caps or optional D-140F 15" bass speakers. The old tubes and speakers can also be worn out, which will add to the cost. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets from his 2006 tour with barely visible VISIT MY SWORDS, KNIVES and FANTASY ART WEBSITE www.kitrae.net, This website is frequently updated.
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